Snow Business: The Sundance ASCAP Music Café Celebrates 25 Years with Performances and Conversations

By Erik Philbrook, ASCAP Editor in Chief  •  January 31, 2023

The Sundance Film Festival came back in full force this month, bringing with it all the offerings for which the prestigious event has become legendary: a wildly expansive and diverse showcase of work from filmmakers from around the world, throngs of cinephiles and industry folks, snow piled as high as the eye could see and the Sundance ASCAP Music Café, which this year celebrated its 25th anniversary as the Festival’s hub for highlighting the natural bond between music and the movies.

 

This year the Music Café presented memorable performances from some of today’s most exciting songwriters as well as conversations between filmmakers and composers behind some of Sundance’s most acclaimed 2023 films.

 

Performers included the morbidly humorous Amigo the Devil, the R&B vocal powerhouse Sha’Leah Nikole and the beloved SoCal folk singer-songwriter (and filmmaker) Matt Costa. Also, poet, hip-hop artist, producer, actor and director Saul Williams and activist, rap artist and author Momolu S K Stewart, who both starred in 1998’s Sundance Grand Jury Award-winning film, SLAM, performed as part of a celebration of that film’s 25th anniversary. Williams, in a nod to supporting new and local artists, introduced a performance by José Soto, a National Poetry Slam finalist.

 

Composer Roger Suen, who scored the music for this year’s film Jamojaya was joined by the film’s director Justin Chon, for a conversation with ASCAP’s Amanda Shoffner. They discussed their collaboration on this engaging Asian familial drama which tells the story of an aspiring Indonesian rapper and his demanding father.

 

Composer Nainita Desai and filmmaker Laura McGann talked about their work on the documentary The Deepest Breath, which explores the world of extreme competitive freediving. Set against a stunning underwater backdrop, the film’s story, cinematography and Desai’s score combine to create an experience that keeps viewers on the edge of their seat.

 

Saul Williams and Momolu S K Stewart also joined ASCAP’s Erik Philbrook for a discussion on making SLAM when Williams was an emerging spoken word artist and Stewart was a teenager in prison (at the time serving a life sentence for murder, which was later suspended by a judge, thanks in part to Kim Kardashian). The two artists hadn’t seen each in 25 years since making the film and, with raw emotions, each shared how art had shaped their lives. 

Sundance announced its winners on Saturday, January 28, marking a key point of the 2023 Festival, where 111 feature-length and 64 short films — selected from 15,856 submissions — had been presented in Park City, Salt Lake City, and at the Sundance Resort. 75% of the feature films, plus Shorts and Indie Episodics, were available via the Festival’s online platform.

 

ASCAP composers whose music graced many of this year’s winning films in the top categories included: Gary Gunn, who scored A Thousand and One, which won the U.S. Grand Jury Prize: Dramatic; Samora Pinderhughes and Chris Pattishall, who scored Going to Mars: The Nikki Giovanni Project, which won the U.S. Grand Jury Prize: Documentary; Patrick Jonsson (PRS), who scored Scrapper, which won the World Cinema Grand Jury Prize: Dramatic; José Miguel Tobar and Miguel Miranda (UBC), who scored The Eternal Memory, which won the World Cinema Grand Jury Prize: Documentary.

 

The Audience Award: NEXT went to Kokomo City, directed by ASCAP member D. Smith. The film also nabbed the NEXT Innovator Award presented by Adobe and featured songs by Smith and fellow ASCAP member Stacy Barthe.

 

Composer Edvard Egilsson scored the music for Smoke Sauna Sisterhood, which won the Directing Award: World Cinema Documentary for Anna Hints; Irya Gmeyner and Martin Hederos (STIM), scored Slow, which won the Directing Award: World Cinema Dramatic for Marija Kavtaradze.

 

The Short Film Jury Award: Animation was presented to The Flying Sailor, with music composed by Luigi Allemano (SOCAN).

 

In the Special Jury Awards category, the World Cinema Dramatic Special Jury Award for Creative Vision was presented to Animalia, directed by Sofia Alaoui, with music composed by Amine Bouhafa (SACEM). The World Cinema Dramatic Special Jury Award for Cinematography went to Mami Wata, with music composed by Tunde Jegede (PRS). The Short Film Special Jury Award, International: Directing went to AliEN0089, directed by Valeria Hofmann, with music composed by ASCAP member Christopher Manhey.

 

Composer Denisse Ojeda scored Bad Press, which won the U.S. Documentary Special Jury Award for Freedom of Expression; songwriter/composer Mark Sonnenblick wrote music for Theater Camp, which won the U.S. Dramatic Special Jury Award: Ensemble; and Taul Katz scored the music for Mutt, which was presented with the U.S. Dramatic Special Jury Award: Acting for Lio Mehiel’s performance.

 

For a full list of this year’s Sundance Film Festival award winners, go here.

ASCAP @ Sundance 2023

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